| 1 Adam Hafiz, Aisyah Saiful, Alysha Rendi | 2 Anirudh Kashyap, Anish Harsha, Samuel Thomas | | Matthew ToomeyⒸ , Jo Ann WongⓉ | That we prefer works of (historical fiction) that overemphasize the roles of disadvantaged groups in a period of history (e.g. Django Unchained), to those that provide an accurate view of their circumstances (e.g. 12 Years a Slave) |
| 1 Krittiya Sagaekhao, Patsha Ha, Tate Lee | 2 Ian Dylan Chai, Rdu Dillon, Wai Yin (Vincent) Chau | | Sam TrotterⒸ , Sowmya Srinivasan , Zoe MorrisⓉ | That we prefer the production of modernised traditional (fairytales) to the production of new original stories for the same audience. |
| 2 Ellen Thurlow, Gypsy Polacheck, Jordyn Gibson | 1 Hezron Kowardi, Jones Anderson, Justin Gabriel Wibisono | | Leah MercierⒸ , Vladimira Šuflaj , Haadiyah MehjabeenⓉ | That we prefer works of (historical fiction) that overemphasize the roles of disadvantaged groups in a period of history (e.g. Django Unchained), to those that provide an accurate view of their circumstances (e.g. 12 Years a Slave) |
| 2 Anis Adiba, Benjamin Tan, Rashrvin Pillay | 1 Aida Safiyah, Muhammad Ibraheem Buhanudeen, Suraya Jasmine Abdul Rahman | | Michael XuⒸ , Rohan AllikerⓉ | That we prefer the production of modernised traditional (fairytales) to the production of new original stories for the same audience. |
| 1 Angad Singh Chawla, Ritabrata Mitra, Robin Ahuja | 2 Carol Chan, Chenqian Cui, Linhan Wang | | Chris MuellerⒸ , Oliver Chow 💢 | That we prefer the production of modernised traditional (fairytales) to the production of new original stories for the same audience. |
| 2 Christopher Richard, Dan Walsh, Isaac Zhang | 1 Isaac Heron, Julia Randerson, Tony Huang | | | That we prefer the production of modernised traditional (fairytales) to the production of new original stories for the same audience. |
| 1 Anas Ahmad Zaharim, Ibrahim Alhabshi, Munirah Abdullah | 2 Ahsan, Danesh Aggarwal, Kuhan Karttikeyn | | | That we prefer works of (historical fiction) that overemphasize the roles of disadvantaged groups in a period of history (e.g. Django Unchained), to those that provide an accurate view of their circumstances (e.g. 12 Years a Slave) |
| 1 Adis, Julian Bako, Nicola Brayan | 2 James Boland, Phoebe Jennings, Valentino Tew | | Sourodip PaulⒸ , Jenny Li | That we prefer works of (historical fiction) that overemphasize the roles of disadvantaged groups in a period of history (e.g. Django Unchained), to those that provide an accurate view of their circumstances (e.g. 12 Years a Slave) |
| 2 David Wu, Jacky Chai, Kat Cheng | 1 Arch Gardner, Deborah Huang, Samuel Blackwood | | Sharuka WikramanayakeⒸ , Jill Aycardo , Matthew PaulⓉ | That we prefer the production of modernised traditional (fairytales) to the production of new original stories for the same audience. |
| 1 Isobel Scherf, Patrick Clarke-Thomas, Sebastian Nugara | 2 Charlie Ryan, Eugene Bakker, Isabella Freeland | | Youngwoo ParkⒸ , Cooper JouaultⓉ | That we prefer the production of modernised traditional (fairytales) to the production of new original stories for the same audience. |
| 1 Kieran Hewett, Lawrence Blackaby, Shela Luckhurst | 2 Declan Dublin, Ihsanuddin Shabrimi, Mohd Hasbul Hadi Mohamad Hafizzudin Chang | | Daud Hernoud Christhen LoudoeⒸ , Lily Chalmers , MinJeong Joo | That we prefer works of (historical fiction) that overemphasize the roles of disadvantaged groups in a period of history (e.g. Django Unchained), to those that provide an accurate view of their circumstances (e.g. 12 Years a Slave) |
| 2 Archie Wolifson, Arwyn Stone, Neva Mikulic | 1 Amy Lee, Cavan Tay, Shaun Lee | | Mikko Carlo VitugⒸ , Robert Barrie 💢 | That we prefer the production of modernised traditional (fairytales) to the production of new original stories for the same audience. |
| 1 Benjamin Diskin, Oliver Hervir, Oscar Chaffey | 2 Elanor Parkinson, Olivia Whyte, Rose Hensher | | Nasa TsuchiyaⒸ , Jonathan Tuliao 💢 | That we prefer works of (historical fiction) that overemphasize the roles of disadvantaged groups in a period of history (e.g. Django Unchained), to those that provide an accurate view of their circumstances (e.g. 12 Years a Slave) |
| 1 Branko Stajic, Conna Leslie-Keefe, Maya Anderson | 2 Daniel Yim, Sophie Shead, Udai Kamath | | Ruth Selorme Acolatse 🐬💍🤗🫰🏿Ⓒ , Xavier Konynenburg , Hishah KhalishahⓉ | That we prefer the production of modernised traditional (fairytales) to the production of new original stories for the same audience. |
| 1 Atifa Wan Saiful, Hanafie Haniki, Mohammed Imaz | 2 Evan Ashfaque, Tamim Ahmed, Tanzim Noor Tanmoy | | Davida PaulⒸ , Angus Braiden , Aleina KonsamⓉ | That we prefer works of (historical fiction) that overemphasize the roles of disadvantaged groups in a period of history (e.g. Django Unchained), to those that provide an accurate view of their circumstances (e.g. 12 Years a Slave) |
| 1 Dohyun Kim, Haewon Lee, Sunghyun Park | 2 Jack Story, Jeremiah Edagbami, Katarina Kuo | | Fraser WindsorⒸ , Nicole Hua , Isabelle KhammyⓉ | That we prefer the production of modernised traditional (fairytales) to the production of new original stories for the same audience. |
| 2 Abby Bowmar, Georgia Barclay, Jaiden Tucker | 1 Ibrahim O Dawoodjee, Karan Pathela, Sumit Sachdev | | Tomas FrankhamⒸ , Angus McGregor , Lisa LimⓉ | That we prefer works of (historical fiction) that overemphasize the roles of disadvantaged groups in a period of history (e.g. Django Unchained), to those that provide an accurate view of their circumstances (e.g. 12 Years a Slave) |
| 1 Emma Thompson, Isani Cummins, Liam Felli | 2 Evelyn Vincin Walker, Georgia Zhang, Shiva Mukherjee | | Andrew ChenⒸ , Zara HanifⓉ | That we prefer works of (historical fiction) that overemphasize the roles of disadvantaged groups in a period of history (e.g. Django Unchained), to those that provide an accurate view of their circumstances (e.g. 12 Years a Slave) |
| 1 Sirikorn Indrayodha, Supakorn Palawong, Tanawat Phetprom | 2 Georgia Cooper, Millie Posen, Trinity Stockwell | | Brendon ChenⒸ , Shaunna De CruzⓉ | That we prefer the production of modernised traditional (fairytales) to the production of new original stories for the same audience. |
| 2 Harry Aickin, Liam Silverwood, Melissa Connolly | 1 Blake Keir, Clara Giendl, Narelle Paul | | | That we prefer the production of modernised traditional (fairytales) to the production of new original stories for the same audience. |
| 2 Hyojeong Yoon, Hyojin Kim, Jiwoo Kim | 1 Anakin Jaruseaneewong, Aryan Shrestha, Sompoom Sunpaweravong | | Timothy HannaⒸ , Jing Yu MaⓉ | That we prefer the production of modernised traditional (fairytales) to the production of new original stories for the same audience. |
| 1 Ben Carroll, Ben Christian, Jemma Swaak | 2 Hana Nagib, Thanh Ha Duy, Wayne Lim | | Jade Di GirolamoⒸ , Jemma GriffinⓉ | That we prefer works of (historical fiction) that overemphasize the roles of disadvantaged groups in a period of history (e.g. Django Unchained), to those that provide an accurate view of their circumstances (e.g. 12 Years a Slave) |
| 2 Jack Glass, Toby Mok, William Ryan | 1 Owen Ventre, Paddy Harten, Yani Rutherford | | Leonardus Hans SebastianⒸ , Aswin ChansrichawlaⓉ | That we prefer the production of modernised traditional (fairytales) to the production of new original stories for the same audience. |
| 2 Aisha O’Malley, Grace Baylis, Harper Smith | 1 Auguste McNally, Oliver Bardsley, Toby Freeman | | Elinor StephensonⒸ , Frang Komolrochanaporn , Nurin Camela Shaik Abdul MalikⓉ | That we prefer works of (historical fiction) that overemphasize the roles of disadvantaged groups in a period of history (e.g. Django Unchained), to those that provide an accurate view of their circumstances (e.g. 12 Years a Slave) |
| 1 Cormac Moriarty, Ineka Tabrett, Noah Duval | 2 Isander Mesimeris, Mehnaaz Hossain, Sam Druce | | Anum NaseerⒸ , Hazreel Haqim Nor Hisam | That we prefer the production of modernised traditional (fairytales) to the production of new original stories for the same audience. |
| 2 Eurus Yuan, Mandy Luo, Sophia Sheng | 1 Eira Wang, Meng Yao, Sue Yue | | Bennett Roebuck-KrautzⒸ , Haeju Kim , Josephine Perry | That we prefer works of (historical fiction) that overemphasize the roles of disadvantaged groups in a period of history (e.g. Django Unchained), to those that provide an accurate view of their circumstances (e.g. 12 Years a Slave) |
| 1 Gregory Wan, Porter Tsai, Yong-Chen Perng | 2 Hoyeon Shim, Thomas Nunn-Rutledge, Zoë Fraser | | Srijan PoudelⒸ , Michael Byrne , Alex GarmanⓉ | That we prefer the production of modernised traditional (fairytales) to the production of new original stories for the same audience. |
| 2 Alessandro Fotea, Eleanor Douglas, Mia Freeland | 1 Haikal Daniel, Sarah Aston, Syakir | | Chinmaya Mohan 🦋🥹Ⓒ , Aylish Waldron | That we prefer the production of modernised traditional (fairytales) to the production of new original stories for the same audience. |
| 2 Alex Gao, Alyssa Ho, Ray Yang | 1 Aabha Suryanarayan Rao, Jarrod Hurst, Spencer Smith | | Umbar SandhuⒸ 💢 , Lachlan Doyle , Sam Nicholls | That we prefer works of (historical fiction) that overemphasize the roles of disadvantaged groups in a period of history (e.g. Django Unchained), to those that provide an accurate view of their circumstances (e.g. 12 Years a Slave) |